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The Bass Book, by Tony Bacon, Barry Moorhouse
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by Tony Bacon & _Barry Moorhouse Miller Freeman Books The fourth in a series (The Fender Book, The Gibson Les Paul Book, The Rickenbacker Book), The Bass Book offers a complete illustrated history of bass guitars from FenderÕs first in the 1950s through the models of the next 40 years that formed the foundation for modern music. The bass guitar is undoubtedly one of the most significant instruments of this century, yet this book is the first to study its history. Features original interviews with bass makers past and present, dozens of unusual, specially commissioned color photos, and a reference section that provides a wealth of information on every major manufacturer.
- Sales Rank: #1397110 in Books
- Brand: Brand: Backbeat Books
- Published on: 1995-06-01
- Released on: 1995-06-01
- Original language: English
- Number of items: 1
- Dimensions: 9.69" h x .23" w x 7.44" l, .77 pounds
- Binding: Paperback
- 108 pages
- Used Book in Good Condition
From the Back Cover
In California in the early 1950s the Fender company introduced the world's first electric bass guitar, and started a revolution in the sound of popular music. The 'guitar bass and drums' line-up that would define pop music had found its heart, and for the next 40 years the bass guitar provided the solid foundation upon which most modern music was built. The bass guitar is without doubt one of the most significant new musical instruments to have appeared in this century, and The Bass Book is the first to study its complete and fascinating story. Many original interviews with makers of bass guitars from the past and present illuminate The Bass Book, and while the popular establishment of the bass during the 1960s and 1970s is examined in detail, modern variations of this diverse instrument are also presented. Dozens of unusual, desirable and rarely seen basses are shown in specially commissioned studio-quality photographs, including instruments owned by Paul McCartney, Stanley Clarke, and John Entwistle, and a reference section provides a wealth of information on every notable maker.
About the Author
TONY BACON (Bristol, England) writes about musical instruments, musicians, and music. He is a co-founder of Backbeat UK and Jawbone Press. His books include The Ultimate Guitar Book, London Live, and Paul McCartney: Bassmaster. BARRY MOORHOUSE (UK) founded his specialist bass-guitar retail and distribution operation, the Bass Centre, in London in 1984. Now in its fourth decade, it continues as a worldwide operation. Through his associate company, House Music, Barry represents Brian May guitars in partnership with the Queen legend.
Most helpful customer reviews
0 of 0 people found the following review helpful.
One Star
By Amazon Customer
Lime a xerox
12 of 13 people found the following review helpful.
Disrespectful to the Gibson bass
By D. R. DuBois
I wrote a email to Bacon and Moorhouse detailing my reasons for the above title. I own alot of Gibsons and Epiphones been playing out and in for over 30 years. They talk very little on the great Gibsons and the large list of known players of Gibsons, they pretty much state that the Tbird was all Gibson could do right. If i could have looked at it before buying I wouldnt have bought it. Should have been called "The Fender Bass Book", uninformed or definitely biased big time.
20 of 20 people found the following review helpful.
Not Just for Bassists - It's Great for Any Rock Fan!
By Tom
This book follows the format of Mr. Bacon's other books (including The Fender Book and The Gibson Les Paul Book), and like his other books, it is a treat for the eyes. The photography is absolutely fantastic, with amazing detail. What is especially impressive is his inclusion of instruments owned by the stars who made them famous. It's not just a picture of a Hofner "Beatle Bass", it's one of Paul McCartney's Beatle Basses; it's not just a picture of an Alembic bass, it's John Entwistle's famous Alembic "Spider" bass from his days with The Who (and the list goes on and on...). Like Mr. Bacon's other guitar books, there's a pretty good identification guide in the back. Is this book REALLY a complete story of the electric bass with minute detail about every instrument of note (how's THAT for a pun)? Nah. If that's what you want, then consider this a "3 star" book at best (although you WILL learn something if you read it). On the other hand, is it a nice addition to one's own music library or a great gift book? Absolutely! (By the way - the ONLY reason I didn't rate it five stars is that the author tries, in my opinion, to cover too broad a subject matter in too short a space.) This is one of those books that's a lot of fun, even if it's just to "look at the pictures".
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